Another first draft of a new Monsterhearts skin. Fairly complete except for the How To Play section, which will be included in the final draft. Yes, that one Buffy episode was a big inspiration.
Originally shared by Topher Gerkey
#monsterhearts #skinning
THE UNSEEN
Last week at the prom, when the captains of the football and basketball teams were making out in the locker room while their girlfriends wondered where they’d disappeared to, none of them saw you.
But you saw them.
Yesterday, when the calculus teacher hid in the supply closet during his prep period and snorted coke until his eyes looked like a doll’s, glassy and shining in the darkness, he didn’t see you.
But you saw him.
Earlier tonight, when the nerdy, sickly kid everyone picks on lured the head cheerleader into a dirty alley, sprouted fangs, and sucked her dry, they didn’t see you.
But you saw them.
Nobody ever notices you. But you can see everything. All the things they do when they think no-one is watching. And maybe it’s time you started taking advantage of that.
NAME
Choose a name:
Billy, Cecily, Griffin, Grover, Jacques, Kitty, Laura, Lyle, Marcy, Sebastian, Sue
A nerdy name, a stuffy name, a plain name, a foreign name
LOOK
Circle one from each list:
Bad posture, peering through bangs, beiges and creams, t-shirt that was popular two years ago, hand-me-downs (…not that anyone pays attention to your look.)
Knowing eyes, translucent eyes, downcast eyes, pearly eyes, forgettable eyes (…but when was the last time anyone looked into your eyes?)
ORIGIN
Circle one:
Invisibility formula, psychic blank spot, cursed to fade away, someone-else’s-problem field, light-bending physics accident
STATS
Add 1 to one of these:
Hot -1, Cold 1, Volatile 1, Dark -1
YOUR BACKSTORY
The Unseen must always declare their backstory second-to-last.
You are beneath notice. Erase all strings that other characters have on you so far.
You watch everyone in their private moments. Take 1 string on everyone else.
Someone inadvertantly showed you some very juicy blackmail material. Take 1 extra string on them.
UNSEEN MOVES
Choose one of these two moves:
✔ She’s Not There – You are unnoticeable. Nothing with a mind can see, hear, smell, or otherwise sense you, or anything you wear or carry. People will alter their paths to avoid bumping into you without being conscious of doing so. Evidence of your presence is ignored – if you are dripping wet or standing in a snowdrift, no-one will notice the puddle or footprints (but someone entering the scene after you have left will notice, and can point out the evidence to others, at which point they can see it). Cameras and other recording devices – anything non-sentient – can still register and record you. If you want to make yourself known to others, roll with Cold. On a 10 up, you can interact with others for one scene. On a 7-9, you stay invisible and inaudible, but you can make yourself noticed indirectly by writing notes or pushing people or furniture around. On a miss, become your Darkest Self.
or
✔ See Through You – You are perfectly transparent. Nothing can see you, including cameras. This only affects your body, not anything that you are wearing or carrying, so to be completely invisible you will need to be nude. You can still be heard, smelled, or felt, and evidence of your presence (footprints, floating patches of paint, etc.) may give away your location. If you want to interact with others normally, you will need to wear bandages or a mask, or cover your exposed skin with makeup. If you are disguised in this way and your true invisible nature is exposed, roll with Cold. On a 10 up, you can retain self-control and beat a hasty retreat, leaving viewers wondering what they just saw. On a 7-9, you are enraged and embarrassed. All onlookers get a string on you. On a miss, become your Darkest Self.
Then choose two more moves:
O Blackmailer – When you covertly observe someone doing something they’d rather keep secret, take a string on them. When you spend a string to offer someone experience in exchange for doing what you want, keep the string if they refuse.
O Grand Guignol – When you do something violent, destructive, perverse, or sadistic in order to attract attention, roll Volatile. On a 10 up, mark experience and treat anyone seeing or experiencing your handiwork as if you had used shut someone down on them and rolled 10 up. On a 7-9, treat them as if you’d used shut someone down and rolled 7-9, but also choose one:
~ They gain a string on you
~ You gain the condition Urban Legend
~ One of them (your choice) gains +1 forward (or Advantage) against you
On a miss, your atrocity is blamed on someone else. Become your Darkest Self. If you are already your Darkest Self, gain the condition Enraged.
O Out of Thin Air – When you are invisible and lash out physically, add +1 to your Volatile roll as your attack comes from out of nowhere. Others take -1 to attempts to lash out physically at you.
O Threatening Whispers – You can roll with Cold to manipulate an NPC by threatening to expose their secrets.You can shut someone down in this manner as well; add +1 to your Cold roll.
O Vanishing Act – When you are invisible, you can always successfully run away from someone without having to roll, but choose one:
~ They take a string on you
~ You take 1 harm
~ You gain the condition Urban Legend
~ They gain +1 forward (or Advantage) against you
O Voyeur – You may spend a string on someone to invisibly insert yourself into any scene that person is in. When you gaze into the abyss about someone you have strings on, spend one of those strings to change a miss into a 7-9, or a 7-9 into a 10 up.
SEX MOVE
When someone acknowledges your existence through physical intimacy, give up all strings on them and give them three strings on you. They develop an uncanny sense for your presence and will always know approximately where you are when you are in a scene together. This sense lasts until either of you have sex with someone else or until they harshly ignore you.
DARKEST SELF
Such a bland and boring wallflower. You’re not even interesting enough to torment. None of them know you even exist. What will it take to get them to notice you? Something big. Something bloody. Something vile and terrifying and above all, something showy. They won’t be able to ignore you after this. You’ll show them who you really are.
You can escape your Darkest Self only when someone makes it clear that they know you exist, even if only for a moment.
ADVANCEMENT
~ Take another Unseen move.
~ Take another Unseen move.
~ Take a move from another skin.
~ Take a move from another skin.
~ Take the initial move that you did not choose.
~ Add 1 to Hot (max 3).
~ Add 1 to Cold (max 3).
~ Add 1 to Volatile (max 3).
~ Add 1 to Dark (max 3).
So a Mix of mortal and ghost?
And i fear this is not playable. You are allways half a ghost in darkest Self. I wont find this really Fun.
I like it! I’d tweak the backstory a bit so it’s “second-to-last if there’s a mortal, last if there isn’t” (but really dig that Mortal still gets last pick: so it’s possible that ‘true love’ overcomes even your unnoticability)
And I disagree with Tim: seems pretty playable to me! I mean, it won’t be everyone’s cup of tea, but all the best playbooks take some issue high school students sometimes wrestle with and turn it into a metaphor via monsterization: and “nobody notices me” is definitely a strong issue to work with.
But that is half of the Ghosts Deal. What do you do if you have both in Play?
The Ghost is way more about unresolved trauma, projecting issues of the past onto the present, blame and forgiveness. Their “unnoticability” is practically a footnote: it’s definitely not something they USE to the degree this playbook does.
That said, I’d be lying if I didn’t think, upon seeing this playbook “I want to run a game with an Unseen, a Ghost, and a Sasquatch in it”.
I think that unless those “no one can ever see you” moves get modified to have an on-off switch, this playbook can’t actually have a social life. I feel like that’s kind of a problem since Monsterhearts is mostly social life.
McDaldno himself has said that all of these monsters can still go to school or the mall or whatever.
Ben Wray Sounds like the start of a bad joke
Well, “she’s not there” does have an off-switch, and “see through you” explicitly says you can use bandages or makeup or whatnot. You’re just the kid that everyone thinks has serious burns or a skin condition or whatever, and they’re always STARING at you, and wouldn’t it be easier if you could just spend ALL your time invisible?
Wow, a lot to respond to here. I think some of this will seem better when the Playing the Unseen bit is included.
Seth Blumberg I’m willing to take a look at that. The idea is that in Darkest Self mode, the Unseen will kind of go off the grid while arranging her big horrific setpiece (painting the cafeteria in kitten blood, whatever), and the first chance anyone will get to acknowledge her is after the atrocity is done. But yeah, let me think about it some more.
Tim Franzke I think the Ghost and the Unseen have pretty different themes. To turn it into a quip, nobody knows the Ghost is dead, but nobody knows the Unseen is alive. 😉 I see what you’re saying about the Darkest Self, but it’s different – the Ghost’s DS is “oh poor me, nobody can see me.” For the Unseen, that’s every day, and her DS is “fuck it, I’ll make them notice me.”
Alfred Rudzki the Unseen does have social interactions, they’re just very nonstandard ones. ^_^ The Voyeur, Blackmailer, and Threatening Whispers moves are all about the social interaction. The “She’s Not There” subtype is going to be really dependent on voicemails/texts/instant messages/etc for that interaction, but it’s definitely there. And both types do have an out – the She’s Not There type can briefly become visible if she concentrates real hard and risks freaking out, and the See Through You type can wear concealing makeup and interact totally normally (while risking accidental exposure).
Ben Wray the reason I made her go second-to-last is so that even in games without a Mortal, there’s at least the possibility that one person will have a string on her. Then the players get to explain how that’s possible and what it means for them. It seemed like a good place to inject some possible messy drama.
This is just a first draft, so I’m definitely taking this feedback into account!
Hmmm! That’s kind of cool. Does the Unseen choose who goes last, do it by group consensus, MC whim, whoever sits to the unseen’s left, or what?
I think any of those would work, Ben Wray!
Just reminding myself of this for when I have a few minutes free tomorrow.