As a prelude to a season of World Wide Wrestling, I’m getting a bunch of my buddies to come together for a viewing party. This is mostly meant to be a Wrestling 101 kinda thing.
I’d like some help making up a playlist of short documentaries and matches from various promotions and would love some help in doing so.
I have very little experience with Wrestling myself (I’ve been a die-hard fan for… 6 days now), and I figure more seasoned fans amongst you could help me out.
I’m looking to fill about 4 hours of play time. Currently I’m planning on showing :
– Wrestling isn’t Wrestling. a 30-minute youtube video that explains how awesome wrestling is through explaining a decade of HHH storyline. It’s a great video, if you haven’t seen it, I recommend it, it’s super fun. https://www.youtube.com/watch?v=VYvMOf3hsGA
– Lucha Underground – January 14, 2015. I love this episode so much. It shows off a bunch of different styles, in an amazing first match. The main event was also amazing and sets up Cage as a hell of a heel.
So I’m looking for another 2 or 3 hours of content. Matches or documentaries are both great. Any recommendation?
An informal poll on what you would expect to pay for the supplement:
An informal poll on what you would expect to pay for the supplement:
Assume the supplement is a book, same size and format as the core WWWRPG book, maybe 2/3 of the page count (~100 pgs vs 160) at the same trim size. Contains the overview and some new rules for Lucha Libre, Japanese wrestling, British grappling, modern Indie style; essays (similar to the ones in the core book) on Lucha and Puro; rules for extended play and optional rules for backstage stuff, etc.
Time to reprint! With what I’m ordering today, I’ll have printed 1000 copies of WWWRPG in a year. With whats still in my closet, the IPR warehouse and on retail shelves, I roughly estimate 600 or so print copies have gone out into the world to individuals.
That’s amazing, and thank you so much to everyone whos:
– supported me on Patreon
– backed the Kickstarter
– purchased the game from my webstore
– purchased the game from your FLGS
– purchased the game from an online outlet (IPR, DriveThruRPG, or a retail website)
– read the game
– played the game
– run the game
– talked about the game
You are all amazing. Sales are not the only indication of success or quality, but they sure are a good way to make sure I keep doing this.
In my ongoing effort to learn more about lucha libre, I’m going to be watching the AAA Triplemania 32 show this…
In my ongoing effort to learn more about lucha libre, I’m going to be watching the AAA Triplemania 32 show this evening! I don’t know if it’s mindful for this particular event or not but the card does seem to be built to appeal to people like me, who know the ex-WWE guys already.
I’m excited for that trios match, that looks dope!
Anyone else watching? Anything I oughta know going in? I’ve never watched a full AAA PPV before
The yellow one is the hard-cam, the fixed one. The blue ones are the mobile cams.
The red line is the “180° line”. Basically, you must always point your camera toward the 180° area in front of the hard-cam. That’s a common rule for cinema, comics and television (that’s the basis of the shot-reverse-shot technique) but if you check every WWE match they always do like this. It works like this because if you start to fuck up the directions the spectator doesn’t understand where he’s looking at. If every camera is pointed in that direction, what’s left is always left, what’s right is always right. So, for instance, in a WWE show you always have the entrance on the left side; if you point the camera in the other side of the 180° degrees line you get the entrance on the right side of the screen. It gives a sense of being lost to the spectator (also, in cinema they usually purposely break the 180° line when they actually want the spectator to feel lost. Check the car chases in 007: a car goes right, then left, it exits from the right side of the screen and then comes back from the same side, and so on for some minutes. And you think “woah, they are so fast you can’t even understand what the heck is going on”).
This being said, with a squared ring it’s easy to do it. One MC operator stands on the left side of the ring, the other stands on the right side. I refer to a situation in which you only have two camera operators because it’s the standard here in Italy. I suppose that indie feds in USA can find many more operators… Anyway, these MC operators don’t have turnbackles in front of them, they just move along the side of the ring.
In an hexagonal ring, there are more turnbackles, and as you see in the second image there are some situations in which you have to move around them to avoid them, because otherwise you can find yourself aiming the camera directly toward the turnbackle. Also, the two turnbackles nearest to the HC can limit the view of the camera, if it isn’t fixed in a sufficiently high position. Part of the fun of this job is to place the HC.
That being said, I prefer the hexagonal ring anyway. It’s so much more… different. I like TNA also because of that. Thinkin’ about it, I think to remind that in my fed they chose it because it suggests some similarities with MMAs rings, which often are hexagonal or octagonal.